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Here is why this film still holds up today.Īlthough there are quite a few scenes dealing with investigations and paperwork, making the overall film feel more like a procedural television show than anything, Bullitt always manages to keep you engaged with likeable characters and a great screenplay, for what it's worth. Bullitt is one of the overlooked classics that needs the spotlight treatment once again. Quite often you will hear film buffs exclaiming the best films of all time to be that of Back to the Future, Jurassic Park, Citizen Kane, The Godfather, or anything else that is valid in pop culture, but some of the other films that should truly be remembered as classics only have a small fan base that remembers it or even discovers it. Bullitt is definitely a classic film in my eyes, not just because it's an old film, but due to the fact that it has an incredibly engaging array of characters and the action sequences are some of the best ever put to film. The word "classic" is thrown around a lot and many people use it as a term that just means "something old." To me, classic means something that has gone down in the past and will be remembered in some form or another. If you're in the mood for a great old-school action film, this is it. Even the cars are super cool in this film, a '68 Ford Mustang and '68 Dodge Charger. There are beautiful scenes in San Francisco, and while residents will notice the chase inexplicably jumps from the Marina district to an area near Daly City, that ride down the Taylor Street hill is fantastic. The ending is understated, and slightly ambiguous, adding to the realism. I loved the soundtrack, which is cool jazz and used sparingly, which is refreshing. Georg Stanford Brown is an African-American doctor, and it was nice to see the diversity. Robert Duvall makes a brief appearance as a cab driver. The rest of the cast is strong, including Don Gordon as his partner and Simon Oakland as his captain. And, as he's also dating Jacqueline Bisset, he's the guy every guy wishes he could be. As hippies might refer to him, he's 'The Man', and yet, he stands up to 'The Man'. He's tough without having to show how tough he is. As he listens to jazz in a nightclub and is inadvertently brushed in the head with a menu by a waiter, he doesn't get indignant or angry, he just smiles, in what seems like a very natural moment. When an underworld figure gives him information, he asks him what he can do in return, and refrains from heavy-handed muscling. At a time when America was highly divided, McQueen plays a cop who is not above stealing a newspaper from a dispenser, but at the same time, has a strong moral compass, resists offers to look the other way for his own gain, and does the right thing. I don't like you" to the shady politician, played well by Robert Vaughn. He expresses himself through his eyes, and it's not until late in the movie that he allows himself to say "Look, Chalmers, let's understand each other.
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Steve McQueen personifies cool, and I loved how quiet his character is. There is a wonderful sense of realism about the film. Director Peter Yates really lets the story breathe, and by doing that puts the viewer in those moments, whether it's sifting through evidence or searching for someone in airport terminal. It has those moments of high energy, but at the same time, it's masterful in its pace and spare in its dialog, which is refreshing. Most known for its classic car chase through the streets of San Francisco, Bullitt is one cool action movie.